Review
A Very Common Procedure
Lucille Lortel Theatre (MCC Productions)
March 3, 2007
Morgan Wycks
mwycks@nyconstage
When a play has direct address through two thirds of its running time, my
suspicions about the playwright's abilities are raised especially concerning the
ability to write scenes. I prefer plays that show me a story instead of
declaring one. Such was the case with Courtney Baron's A Very Common
Procedure where I had my suspicions confirmed when the most protracted scene
coming toward the end of the play arrives as pure soap opera. Director Michael
Greif seems to be aware of this issue as well since he has his three actors
spilling out the events at break-neck speed, but ultimately in the urgency to
tell us their story the characters forget why they are telling it.
The story concerns the premature birth of a couple's baby and the human error on
the doctor's part causing the infant's death. It was the first time this doctor,
Anil Patel (Amir Arison) was performing this procedure and his error stopped the
baby's heart. The subsequent emotional separation of the couple, Carolyn (Lynn
Collins) and Michael (Stephen Kunken) is textbook anger. The twist in Ms.
Baron's account, however, presents the emotional and sexual connection between
Carolyn and Anil. The psychological ramifications around this event are certain
to run amok and questions run riot through the brain. The point for Ms. Baron,
as she makes the audience demonstrate to itself through Dr. Patel, is that the
heart is no bigger than one's fist and therefore a fragile, if complex, organ -
breakable in so many ways. But other than this old saw, what we are to make of
the trio's conundrum is anybody's guess. There are so many possibilities but
nothing concrete surfaces on stage.
The three actors are more than fine given the circumstances, although Ms.
Collins is a little too actressy breathy, Mr. Kunken a little too casual, and
Mr. Arison a little too audience interactive. Robin Vest's ironically
anti-sceptic set seems appropriate while Miranda Hoffman's costumes seem the
opposite - uncleanly inappropriate. Ms. Baron finds enough humor in this
tragedy, particularly with imagery and metaphors that one would find in a short
story, to give her characters a warm likability. How much more devastating the
play might have been had she found a way to incorporate this talent in order to
allow the actors to interact.
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